The Art & Science of Becoming Someone Else
Acting. We think we know it when we see it—a person standing on stage or in front of a camera, seemingly transformed, embodying another. But is that all acting is? To me, acting is so much more. It’s a journey, an art, and above all, a profound shift in perspective. You become someone else, not just on the outside, but from within. It’s the art of transformation, of empathy so deep that it pulls you entirely out of yourself and into another existence.
Let’s break this down because, believe it or not, many people—even actors themselves—struggle to answer this deceptively simple question: What is acting?
The Forgotten Core of Acting
I believe the essence of acting is something we’ve lost sight of. Many actors have become so focused on landing the next role, impressing the next casting director, or securing that sought-after agent that they’ve lost touch with the core of their craft. But to truly move forward as an actor, we need to go back—to remember and reclaim what acting really is.
Acting isn’t just playing pretend. It’s perspective shifting. It’s stepping out of your own mindset, your own body, and your own emotions to embody someone else’s entirely. And why does this matter? Because without this ability to shift, we’re left only scratching the surface of what it means to be someone else.
The Power of Knowing: Why Defining Acting Matters
Why is defining acting so critical? Because without a clear understanding of what we’re doing, how can we grow? How can we elevate the craft? Acting is like any other art: if you don’t understand the essence of it, you can’t break it down, refine it, and improve it. Imagine if a painter had no concept of color, or a musician no understanding of rhythm. As actors, we can’t just wing it; we need to grasp the fundamental truths of our art to innovate and evolve.
So, let’s delve deeper. Acting, in its most profound sense, is about being someone else. And when I say that, I mean it: it’s not just putting on a different accent or imitating someone’s gestures. It’s about becoming so deeply entwined with a character’s emotions, thoughts, and perspectives that, for a moment, they are yours.
Acting as Embodying Another’s Words and Truths
To truly act, you must speak someone else’s words as if they were your own. That’s it. That’s the core. And while it may sound straightforward, it’s far from simple. This idea drives everything I do in my own acting work and in the coaching I provide. I’m not just teaching students to read lines or hit emotional marks; I’m teaching them to experience the world as someone else, to make that person’s words feel as natural as breathing.
How does this happen? By stepping outside yourself. By leaving your own identity behind—temporarily, yes, but entirely. And when you manage this shift, something magical happens. You’re not acting like the character; you’re acting as the character.
A Modern Take on Acting: Neuroscience Meets Art
What’s exciting to me is that modern science is now illuminating aspects of acting that practitioners have known intuitively for centuries. Neuroscience, for example, reveals how deeply our emotions and behaviors are intertwined, how certain mental states can actually alter our perceptions and reactions in powerful ways. This is fascinating because it adds depth to something I’ve felt all along: true acting requires a shift in both mindset and emotion, an alignment of cognition and feeling that creates authenticity on stage or screen.
This isn’t the “just be the character” mantra of traditional acting methods. It’s about understanding how our emotions and thoughts shape our behavior, and then using that knowledge to slip into someone else’s skin seamlessly. This scientific insight gives us new tools, helping us refine what’s already there, amplifying our ability to transition from ourselves into our characters.
An Experiment in Transformation
If you’re curious to get a taste of what this shift feels like, try this: consider how you feel right now. Pay attention to it. Are you relaxed? Interested? Maybe distracted? Whatever you’re feeling, hold onto it for a moment.
Now think back to an earlier time—maybe yesterday or even this morning—when you felt entirely different. Maybe you were tense, anxious, excited, or bored. Really try to recall that feeling and notice how it compares to now. The two states are like different lenses through which you see the world, aren’t they?
Acting is about harnessing this ability to shift between “feelings of me” and embodying a “feeling of them.” In the same way you can feel calm one moment and anxious the next, you can step into the emotional world of a character and let it permeate your mind and body. It’s a powerful skill, one that takes practice and insight to master, but it’s at the very heart of what it means to act.
Breaking Free from Your You Baseline
We all have a baseline—a sense of me that defines our usual way of being. Maybe you’re typically laid-back, maybe more high-strung, or maybe naturally joyful or reserved. This you baseline is your home base, your default way of interacting with the world. And as an actor, it’s something you have to learn to step outside of.
Consider those moments in life when you behave completely out of character. Maybe you’ve been so stressed that you lashed out in a way you normally wouldn’t. Or maybe you surprised yourself with an uncharacteristic burst of courage or joy. In those moments, you stepped out of your usual baseline and into a different version of yourself. Acting is about making this shift deliberately, creating a new normal for yourself that aligns with the character you’re portraying.
Confronting the Uncomfortable in Perspective Shifting
Many actors find this shift uncomfortable at first, especially if they’re new to the process. It can be unnerving to leave behind the comfort of your own identity and inhabit someone else’s. But that discomfort is where the growth happens. When I coach actors, I encourage them to embrace this challenge, to step fully into the unknown territory of their character’s mindset and feelings.
Learning to move from your own perspective into that of another is both thrilling and challenging. But in the end, it’s what makes real acting possible. Without this ability to fully inhabit a different perspective, we’re just reciting lines. With it, we’re storytellers, inviting the audience to see the world in a new way.
The Art of Depersonalization: Becoming Truly Other
There’s a concept in psychology called “depersonalization,” where people feel detached from their own identity, as though they’re observing themselves from the outside. In acting, this sense of detachment is not only helpful but necessary. It allows us to step out of ourselves and fully occupy the character’s reality.
But this isn’t about losing control. In fact, it’s about gaining a new kind of control—the control to shape your thoughts, emotions, and actions in a way that aligns with another’s reality. By learning to let go of your own identity temporarily, you can step into someone else’s with authenticity and conviction.
Real Acting: When “You” Becomes “Them”
Ultimately, the goal of acting is to make the audience forget they’re watching an actor and instead feel as though they’re experiencing the life of someone else. This requires a full, immersive shift from your own identity into that of the character. It’s about truly becoming someone else, if only for a little while. And it’s in these moments of transformation that acting becomes an art—when it’s no longer about you but about the character, the story, and the perspective you’re inviting the audience to explore.
True acting is so much more than standing on stage or in front of a camera. It’s about creating a genuine shift in perspective, moving outside of yourself, and giving life to another. It’s a journey of empathy and transformation, one that challenges you to leave yourself behind and take on the world through the eyes of someone else. So, the next time you think of acting, remember—it’s not just pretending. It’s perspective-shifting, and it’s one of the most profound ways to connect with the world.
